Shawn Mullins Returns with Soul’s Core Revival & Live Brattleboro Show at Stone Church

Grammy-nominated singer-songwriter Shawn Mullins comes to Brattleboro’s Stone Church on Wednesday, October 8, for a special evening of acoustic storytelling and Americana songcraft.

Best known for his 1998 breakout hit “Lullaby” and the AAA chart-topper “Beautiful Wreck,” Mullins has built a career weaving intimate folk ballads with widescreen Americana.

He’s also co-written hits like Zac Brown Band’s “Toes” and appeared in supergroup The Thorns with Matthew Sweet and Pete Droge. In recent years, Mullins revisited his breakthrough album with the Soul’s Core Revival, offering new solo and full-band interpretations of the songs that defined his career.

Opening the night is Jennifer Lynn Simpson, a Los Angeles–based songwriter whose blend of old country and Americana has earned festival awards and tours with Rick Springfield. Together, Mullins and Simpson promise an evening of heartfelt music in one of Brattleboro’s most iconic venues.

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Grammy-nominated singer-songwriter Shawn Mullins comes to Brattleboro’s Stone Church on Wednesday, October 8, for a special evening of acoustic storytelling and Americana songcraft.

Best known for his 1998 breakout hit “Lullaby” and the AAA chart-topper “Beautiful Wreck,” Mullins has built a career weaving intimate folk ballads with widescreen Americana.

He’s also co-written hits like Zac Brown Band’s “Toes” and appeared in supergroup The Thorns with Matthew Sweet and Pete Droge. In recent years, Mullins revisited his breakthrough album with the Soul’s Core Revival, offering new solo and full-band interpretations of the songs that defined his career.

Opening the night is Jennifer Lynn Simpson, a Los Angeles–based songwriter whose blend of old country and Americana has earned festival awards and tours with Rick Springfield. Together, Mullins and Simpson promise an evening of heartfelt music in one of Brattleboro’s most iconic venues.

Here We Are: Lissa Weinmann, Brattleboro Words Project, 118 Elliot

Lissa Weinmann is the co-founder of the ever-evolving Brattleboro Words Project which connects us and visitors to our rich and eclectic history through the creation of books, podcasts, outdoor trails, maps, murals and much more. She also established 118 Elliot, a center for the arts with her husband, John Loggia.

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Lissa Weinmann is the co-founder of the ever-evolving Brattleboro Words Project which connects us and visitors to our rich and eclectic history through the creation of books, podcasts, outdoor trails, maps, murals and much more. She also established 118 Elliot, a center for the arts with her husband, John Loggia.

Discover How Vermont Shapes the Death Metal Scene: For The Best New Death Metal, Head To North Dakota. Trust Us.

In the realm of underground death metal, North Dakota has emerged as an unexpected epicenter, boasting a vibrant scene despite its sparse population. The article from daily.bandcamp.com spotlights Fargo, a city that embodies the duality of desolation and creative abundance. As the narrative unfolds, the mention of Vermont serves as a poignant reflection of North Dakota’s unique standing; both states may encompass breathtaking landscapes and small communities, but Fargo’s burgeoning music scene stands as a testament that richness can thrive in less populated areas.

In contrast to Vermont’s serene nature and quaint charm, Fargo pulsates with an energetic DIY ethos that galvanizes its musicians—most notably bands like Gorgatron and Maul. These artists exemplify how a strong community, even in a relatively small place, can foster creativity and a shared love for heavy music. The camaraderie among local musicians creates not just a music scene but a cultural movement, illustrating that even from the fringes, a powerful sound can resonate far beyond state lines. The article ultimately conveys that in the tapestry of American metal, North Dakota—challenging the perceptions often held about its remote counterparts—is becoming a loud and proud contender, overshadowing the quietude of states like Vermont.

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In the realm of underground death metal, North Dakota has emerged as an unexpected epicenter, boasting a vibrant scene despite its sparse population. The article from daily.bandcamp.com spotlights Fargo, a city that embodies the duality of desolation and creative abundance. As the narrative unfolds, the mention of Vermont serves as a poignant reflection of North Dakota’s unique standing; both states may encompass breathtaking landscapes and small communities, but Fargo’s burgeoning music scene stands as a testament that richness can thrive in less populated areas.

In contrast to Vermont’s serene nature and quaint charm, Fargo pulsates with an energetic DIY ethos that galvanizes its musicians—most notably bands like Gorgatron and Maul. These artists exemplify how a strong community, even in a relatively small place, can foster creativity and a shared love for heavy music. The camaraderie among local musicians creates not just a music scene but a cultural movement, illustrating that even from the fringes, a powerful sound can resonate far beyond state lines. The article ultimately conveys that in the tapestry of American metal, North Dakota—challenging the perceptions often held about its remote counterparts—is becoming a loud and proud contender, overshadowing the quietude of states like Vermont.

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