This content highlights vibrant music happenings in Vermont, focusing on two significant events and musical initiatives.

First, Bennington College is celebrating the 50th anniversary of its Black Music Division, established in 1974 by renowned trumpet virtuoso Bill Dixon. A symposium, organized by faculty member Michael Wimberly, will take place on March 21-22, featuring speakers, performances, and workshops from notable alumni like Stephen Haynes and Lisa Sokolov. Wimberly praised the improvisational legacy of Dixon and Milford Graves, emphasizing the event’s mission to explore the cultural significance of Black music. Admission is free but requires prior registration due to limited capacity.

Second, accordionist Ben Richter is concluding his residency at Epsilon Spires in Brattleboro with a world premiere of “VAALBARA” on March 22. Known for his experimental compositions, Richter will collaborate with cellist Laura Cetilia and composer Mike Bullock, utilizing the historic Estey pipe organ in his piece. Tickets for the performance are available on the Epsilon Spires website.

Additionally, local percussionist JB Ledoux has launched a netlabel, Flux ov Time, to focus on various experimental music genres. The label’s debut release, “Repository of Irritated Sounds” by Nick Dentico, features politically themed drone-heavy music, crafted during a turbulent political period. The label aims to remain online-only to reduce physical media impact.

Overall, the Vermont music scene is marked by these initiatives, reflecting ongoing creative expression and community engagement amidst larger cultural conversations.