Like life itself, the music of Lyle de Vitry comes in cycles. With an intricate ambient fingerpicking guitar style and suede-soft baritone voice, he mesmerizes audiences into meditative serenity. Sonic plein-air painter Ben Cosgrove’s piano compositions explore themes of landscape and place.
Tickets are $15. in advance, and $20. at the door.
Much like life itself, the music of Lyle de Vitry comes in cycles. With his intricate, ambient fingerpicking guitar style and suede-soft baritone voice, de Vitry mesmerizes audiences into meditative serenity. Immersed in rich and nuanced harmonic composition, listeners are gently drawn into the here and now. Effortlessly moving between unity and dissonance, voice and instrumentation, rhythm and melody, de Vitry seamlessly integrates the comfort of folk music with the spine-shivering emotional release and intentionality of classical compositions. In so doing, he manages to create a sound as dynamic and honest as the ocean’s eternally flowing tides or the planet’s ever-changing seasons.
Lyle de Vitry is an acclaimed songwriter and multi-instrumentalist. In 2023, he was selected as one of ten finalists in the internationally recognized Telluride Troubadours contest and was named runner-up in the NewSong LEAF Singer-Songwriter Competition. He recently completed the prestigious Residency at 821 hosted by Lamplight AVL in Asheville, NC, and is currently developing an instrumental album, set to be recorded in the summer of 2024. His debut album, Door Within a Dream, is set to be released in August 2024. Watch & Listen.
Ben Cosgrove is a traveling composer-performer whose music explores themes of landscape, place, and environment. Described by the Boston Globe as “a sonic plein-air painter… [using] his piano as a paintbrush,” Ben has performed in every U.S. state except for Delaware, collaborated with groups ranging from rock bands to research scientists, contributed music to several radio and film projects (including the recent Ken Burns documentary The American Buffalo), and held residencies and fellowships with institutions including NASA, the National Park Service, the National Forest Service, Harvard University, Middlebury College, the Schmidt Ocean Institute, and the Sitka Center for Art & Ecology.
Ben’s music has been called “beautiful and fascinating” (The Maine Edge), “deeply impressive” (Independent Clauses), and “immediately evocative and fully arresting… brim[ming] with technical mastery and emotional capital” (Seven Days). His newest record, Bearings, a collection of improvisation-based music that reflects upon the relationship between movement and place, was released in 2023.