Jamie Mohr, the executive director of Epsilon Spires in Brattleboro, Vermont, exemplifies the dedication necessary to sustain artistic communities. Epsilon Spires, a former Victorian church transformed into an arts venue in 2019, emphasizes experimental and fringe art, aligning with Mohr’s mission to intertwine art, science, equality, and sustainability. Despite the town’s small population of 12,000, Brattleboro boasts a vibrant artistic scene, largely due to initiatives like Epsilon’s innovative programming, which includes art installations, film screenings, and culinary experiences.

Mohr’s artistic journey is compelling; her unique entry to the position involved tending to Scottish Soay sheep on a quirky road trip with local scientist Bob Johnson, who envisioned rejuvenating the town’s arts scene. This unusual introduction led to her role in revitalizing Epsilon, a project initially hampered by poor conditions and the COVID-19 pandemic, which temporarily halted community engagement. Nonetheless, Mohr creatively engaged the community by projecting films outdoors, showcasing her commitment to the arts.

Epsilon’s programming aims to distinguish itself within Brattleboro’s rich cultural tapestry through imaginative combinations of film, music, and food, despite occasional miscalculations in event popularity. Mohr faces the challenge of staying true to Epsilon’s ethos while attracting a larger audience, especially in light of dwindling federal support and unexpected maintenance expenses. To navigate these challenges, she has initiated an emergency fundraiser and a membership drive to bolster financial stability. Mohr’s adaptability and innovative problem-solving continue to embody the courage and creativity necessary for Epsilon’s survival amidst uncertain times, underscoring her pivotal role in the local arts ecosystem.