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And The Kids and Sun Parade play at The Stone Church

  • Sat · October 20, 2018
  • Doors: 7:30 pm / Show: 8:00 pm
  • The Stone Church
  • $12/Adv, $15/Door
  • This event is all ages

And The Kids

And The Kids

Growing up, often the safest haven to plot your dreams and get a handle on your identity is within the confines of trusted friendships. For the musicians in the critically acclaimed band And The Kids, these bonds have been a life raft.

But as friendships evolve from adolescence to young adulthood, sometimes the lines between friends, lovers and all that comes in between can grow murky. On the Northampton, MA-based band’s latest, Friends Share Lovers (out June 3rd on Signature Sounds), And The Kids examines blurred boundaries in close-knit relationships.

“The friends we grew up with were troublemakers, lost souls, dropouts, and mother figures,” says And The Kids guitarist and vocalist Hannah Mohan. “The title references the incestuousness of friend groups and how things get messy.”

And The Kids channel existential crises into pop euphoria. With this sleight of hand, the quartet manages to conjure chunky indie rock, blissful new wave, chamber folk, jarring avant-garde, and brawny classic rock. Mohan navigates this expansive creativity with aplomb. Effortlessly she swoops heavenly for high tones, digs deep for swaggering rock n’ roll low tones, and manages to mash up sweet sass with new wave bliss for a vocal feel that masks sage wisdom beneath sweet innocence. In addition to Mohan, And The Kids is Rebecca Lasaponaro on drums, Megan Miller on synthesizers and percussion, and bassist Taliana Katz.

The quartet’s beginnings couldn’t be better scripted: Mohan and Lasaponaro met in band class in seventh grade. A few years later, the duo dropped out of school and found themselves at a learning center that provided them with a free rehearsal space. There they practiced everyday, inspired by such diverse artists as Modest Mouse, Rilo Kiley, The Doors, and The Police, among others.Those formative moments in friendship and music have been everlasting.  In 2012, the fledging duo met Meghan when the three were interns at the Institute for the Musical Arts in Goshen, MA, and soon after welcomed her into the band. Recently, Miller has battled visa problems as a Canadian citizen and has been forced out of the United States for five years. To show the strength of their bonds as friends and artists, And The Kids chose to record Friends Share Lovers in Montreal so that Miller could participate. Recently, the trio added bassist Taliana Katz, a close and trusted friend who also attended IMA, to maintain a full sound live in Miller’s forced absence from American touring.

For four years, And The Kids has worked tirelessly to nurture its artistic vision and finesse its live performances. The band has gone from basement shows, open mics, and gigs at pizza joints to becoming an “on the verge” artist. And The Kids has released two EPs, two full-length records, and shared the stage with Rubblebucket, Sallie Ford, Lake Street Dive and Mother Falcon. Recent and upcoming live performance highlights include SXSW and a tour with Ra Ra Riot and PWR BTTM. The band will head out on a headlining tour in June bookended by summer festival dates. Along the way, And The Kids has garnered acclaim from NPR Music, The Wall Street Journal, and The Boston Globe, among many others. Indie tastemakers Pitchfork enthuse: "And the Kids are among the Western Mass. indie scene’s brightest creative lights."

Friends Share Lovers is an epiphanic entry in the band’s catalog as it showcases the group’s roiling emotionality in wider artistic palette settings. This album explores the power of sound sculpting with studio effects like reverb, majestic keyboard passages, and stacks of pillowy vocal harmonies.

Ironically, the songs on Friends Share Lovers began as compact compositions with spare instrumentation. With keyboardist and percussionist Miller stranded in Canada, Mohan and Lasaponaro workshopped their new material as a duo. But, when it came time to record, they chose Canada as a show of solidarity to their bandmate Miller. With Miller on board and their sights set on Canada, they tapped producer Jace Lasek, a member of The Besnard Lakes who has produced albums from Suuns and Land of Talk, and has mixed and recorded for Wolf Parade, Sunset Rubdown and Patrick Watson. Lasek came on as a co-producer, collaborating with And The Kids and helping the band realize its sonic aesthetic on the album.

Friends Share Lovers bursts forth with the pent-up emotionality of the opening track, aptly titled “Kick Rocks.” Here drum climaxes interlock with hypnotic harmony vocals, building a tension that crashes like a wave cresting, leaving in its wake glassy flowing melodies.  The thematic thread of relationships imbues the new wave elegance of “Friends Share Lovers” and “I Can’t Tell What The Time Is Telling Me.” The title track evokes a Smiths-like juxtaposition of balmy musicality set against poetic turmoil as Mohan wrestles with the complexities of a friendship sliding into a romance. The stunning “I Can't Tell What The Time Is Telling Me” envelops the listener with chiming guitars, oceanic synth textures, and sidesteps into classical melodic motifs. “That track is about getting through tough times with a new partner. It’s about being true to yourself after you’ve fallen in love,” Mohan explains.

Closing the album is the ethereal “Pennies, Rice.” It’s a meditative track that rolls out slowly with measured grace. In some ways, it’s something of a conceptual centerpiece. “This track is about having all the freedom in the world, but the only thing holding you back is your indecisiveness,” Mohan reveals.

Friends Share Lovers is that pivotal release, the follow up to a well-received album from a promising young band. The new album showcases And The Kids’ considerable powers manifesting into a triumphant record that justifies the earlier praise. However, for the members of And The Kids, the impact that matters the most to them is the bonds they make with their audience. To that end, Mohan says: “What’s been most meaningful is realizing what a big influence a small band can have. We see women at the shows who say they want to play music and that we inspired them to do what they love.”

Sun Parade

Sun Parade

“The guys can harmonize like the Beach Boys on acid ... They sound like the psychedelic ’60s, the indie ’80s, and the electro-pop boom of the aughts. If you like, well, rock ’n’ roll, you’ll like Sun Parade.” — Boston Herald

Chris Marlon Jennings grew up in Northampton, Massachusetts, busking on the streets. He met Jeff Lewis when they were high schoolers on summer vacation at a gathering of old friends and families in Maine. Lewis, a mandolin player and islander, was due at Berklee College of Music on scholarship. After a semester in Boston, he moved to Western Mass to work with Jennings. That collaboration is the core of Sun Parade.

Jennings writes by and large in the language of existential howl, wherein life, love and the pursuit of happiness are a highway pile-up with the distinct possibility of dancing. Lewis spins ethereal, psychedelic glowing pop benevolence, songs sung into an old Fostex recorder and sent out into the world in strands of metaphysic werewolves and sunshine. The dichotomy between the two writers builds an outliers’ love fest, a condition Oscar Wilde once described as living in the gutter with stardust falling on us.

Over time Jennings and Lewis built the five-piece that is Sun Parade, with Karl Helander on drums, percussion, harmonies and ambient barking. [Helander is a powerhouse ideas force — the riffing at the end of “Tear” and the astral vocal descents in “Braindrain” were a couple of his contributions to the album.] Max Wareham (bass) and Eli Salus-Kleiner (keyboard) joined Sun Parade after Shuggy Mtn Breakdown was recorded.

Sun Parade’s personal obsessions and projects range from British folk ballads to Motown; collectively their music is most influenced by the mutineers’ pantheon — The Clash, Beastie Boys, Dr. Dog, Nirvana, The Beatles. Sun Parade has supported Lake Street Dive, Dr. Dog, Born Ruffians, and And The Kids. National Public Radio picked “Heart’s Out” for Songs We Love, and wrote that Sun Parade is “crafting the kinds of traditional guitar-pop songs that people might still be singing 50 years down the road.”

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