The Kents Corner State Historic Site in Calais, Vermont, serves as an unexpected yet charming backdrop for the annual art exhibition “Illuminated Worlds,” which features the works of 24 local artists. Curated by Cornelia Emlen, Allyson Evans, and David Schutz, the show runs weekends through October 6 and highlights themes around climate and the interplay of art and weather.

Initially inspired by an exploration of books, the curators pivoted to the concept of illuminated manuscripts after conversing with artist Stephanie Wolff. Wolff’s delicate works, such as “Of the Air,” use watercolor and embroidered text to interpret weather through a historical lens. Michael Abrams’ imposing painting “Walking Clouds” envelops visitors in its azure skies, while Gerry Bergstein’s pieces, including the expansive “Torn Curtain,” depict apocalyptic themes intertwined with the cosmos.

Other notable artists include Megan Bogonovich, whose 12-foot ceramic installation resembles a vibrant reef, and Cameron Davis, who utilizes an unusual palette to create immersive works such as “In the Garden.” The exhibition balances large geometric sculptures by John Anderson with intimate paper creations by Adrienne Ginter.

Rebecca Schwarz’s “Plastic Polyps” draws on discarded materials to create haunting installations, while Li Shen’s rich still life photography mirrors the artistry of 17th-century Dutch painting. Outside, Nancy Winship Milliken’s “The Memory of Nature” reflects on geological time through driftwood and plant arrangements.

Interactive elements, such as “Skyview,” encourage viewer participation, uniting the themes of nature and art in a celebration of creativity. Overall, “Illuminated Worlds” offers a multifaceted exploration of contemporary issues through the lens of local artistry.